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Dead Revolution
17th Street
Church of Broken Glass
The Locust Years
The August Engine
The Bastard
Hammers of Misfortune Sep 30, 2018
Hey! Listen to Hammers of Misfortune!
Hammers of Misfortune Feb 19, 2018
Thanks to all that came out to the SF and LA shows. You made both of these amazing shows for us. The amount of singing along was impressive and the energy was powerful. Until next time friends...
Hammers of Misfortune Feb 15, 2018
Hammers of Misfortune Feb 06, 2018
Here's an oldie-see it live on February 17th at Great American Music Hall in SF and February 18th at Regent Theater in LA with Coven!!
Hammers of Misfortune Feb 06, 2018
Hammers of Misfortune Feb 06, 2018
Video by Aaron Cobbett
Hammers of Misfortune Jan 27, 2018
Practicing for the shows at Great American Music Hall , SF Feb 17th and The Regent Theater, LA Feb 18th with Coven
Hammers of Misfortune Aug 30, 2017
Hammers of Misfortune Jun 29, 2017
Hammers of Misfortune Jun 27, 2017
John and Sigrid from Hammers will be playing Psycho Las Vegas 2017 with VHOL in August!
Hammers of Misfortune Mar 27, 2017
This is a rare performance and won't happen again for some time, don't miss it!! We'll be playing a couple tracks off the new album, Dead Revolution. Also, the historic debut of Extremity and special guest, Hellfire!
Hammers of Misfortune Jan 30, 2017
Hammers of Misfortune Nov 08, 2016
Hammers of Misfortune Aug 03, 2016
Kind words from Pitchfork - "John Cobbett is one of modern metal’s premier guitarists, channeling an encyclopedic knowledge of the genre into virtuosic playing that bubbles with an energy folks from all levels of metal fandom can gravitate to. While he’s remained a cult figure, his work in VHÖL has given larger audiences a taste of his gifts for fusing contemporary and classic sounds. VHÖL almost overshadows Cobbett’s long-running main project, Hammers of Misfortune: In Hammers, he reinvigorates ’70s progressive rock and the hard rock of Deep Purple, Rainbow, and Uli Jon Roth-era Scorpions. Dead Revolution, Hammers’ sixth full-length, retains much of the dynamic lineup from 17th Street and contains some of their most inspired material yet, but it’s also gloomier than much of their work." Read more:
Hammers of Misfortune Jul 26, 2016
Thank you, Decibel Magazine! Here's an excerpt from the 9/10 review for "Dead Revolution" - "Dead Revolution is an album with an abundance of richness, an album that rewards on the first listen and rewards further on closer inspection. It is the best thing a record can be: a work of startling complexity and originality that is also utterly moving and completely accessible." Read the full review here: Did you pick up "Dead Revolution"? Which are your favorite songs?
Hammers of Misfortune Jul 23, 2016
Listen to "Dead Revolution" on Bandcamp -
Hammers of Misfortune Jul 22, 2016
"Dead Revolution" is streaming now via - "Hammers of Misfortune are all over the place in the best way possible; no one sounds like them, and they sound like no one."
Hammers of Misfortune Jul 22, 2016
Today, "Dead Revolution" is available worldwide. 180g gatefold vinyl is still available, and you can also pick it up on CD, digitally, and listen via streaming services. For worldwide purchase options, and to listen to music, visit
Hammers of Misfortune Jul 19, 2016
On Friday, "Dead Revolution" will be released worldwide. For those of you that have not read up on the album, here's some information from our official bio, written be Chris Dick: When West Coast progressive heavy metallers Hammers of Misfortune are asked what took so long to follow-up 2011's acclaimed 17th Street, principal songwriter and guitarist John Cobbett is likely to throw out a Lennon lyric, "Life is what happens to you while you're busy making other plans." Though he's had Hammers of Misfortune on the brain for a good five years, life is exactly what's halted Cobbett and company from marching forward on what would turn into the group's sixth full-length, Dead Revolution. One, Cobbett and keyboardist Sigrid Sheie welcomed a baby. Two, frontman Joe Hutton was sidelined after being involved in a severe motorcycle accident. And three, while Hammers of Misfortune were away, Cobbett and Sheie blazed a crusty northern sky in Vhöl, guitarist Leila Abdul-Rauf had her coffin full with death metallers Vastum, bassist Paul Walker extolled doom metal's virtues in The Worship of Silence, and drummer Will Carroll - who replaces Chewy Marzolo - was sticks up with legendary Bay Area thrashers Death Angel. Indeed, Lennon was right. Then again, Dead Revolution was finished in 2015. It's been sitting on Hammers of Misfortune's shelf between copies of Roxy Music's For Your Pleasure and Scorpions' In Trance. Well, not literally. "Mostly, the delay was my fault, trying to finish the cover art," admits Cobbett. "Specifically the gatefold/booklet, which is hand drawn and hand lettered (while holding a baby), took me a long time. Sorry! The front and back covers are by Robert Steven Connet, and are beautiful. I absolutely can't wait to hold the vinyl in my hands." Hammers of Misfortune's legion of heavy metal maniacs can't wait for the vinyl either. Formed in 2000, the Fog City metallers have enjoyed the majority of their catalog - save for 2001's The Bastard and 2006's The Locust Years - on precious wax. It's Cobbett's preferred format as a fan of '70s music like The Sweet, David Bowie, and various progressive rock bands. But that's not to say the songwriting for Dead Revolution was informed by the promise of a double vinyl or timeworn groups Cobbett holds dear. In fact, Hammers of Misfortune's sixth full-length started off, more or less, like previous efforts. "Sometimes I feel like we're too metal for the progs and too prog for the metals," the guitarist rifles before getting into his songwriting routine. "A cup of coffee, a guitar and a keyboard. The riffs come easy; lyrics, and arrangements are murder. Most of it comes down to making decisions, deciding what to cut out and what to keep. At least half of the music I write gets thrown away. Not very glamorous." As for differences between Dead Revolution and its predecessor 17th Street, Cobbett says it's more varied, using different tones. The mainman also thinks it's a darker and heavier effort. If trends and opinions are anything to go by, it would appear Hammers of Misfortune are sliding slowly into, well, darker and heavier territory. 17th Street, by comparison, was fiercer than Fields / Church of Broken Glass. Likewise, Dead Revolution eats its forebear 17th Street for proverbial breakfast. To wit, there's no power ballad ("Summer Tears") on Hammers of Misfortune's newest. Then again, with tracks like the awesome "Sea of Heroes", the stupendous "The Precipice", the raging "Flying Alone", and the title track's riff-organ fest, fans expecting a continuation or expansion of "Summer Tears" will be placated by a more musically active Hammers of Misfortune. That's not to say Dead Revolution is without its slow-burners. "Here Comes the Sky" pivots off a Pink Floyd axis (think "A Pillow in the Wind") - with its soft strums, careful vocal interplay, and delicate percussion - before jettisoning into traditional heavy metal motifs. Dead Revolution's no musical slouch, that's for sure. "Of course, every song stands out to me," says Cobbett. "I've no idea how listeners will react to them. 'The Velvet Inquisition' is probably one of the most ambitious compositions we've ever recorded. I was trying some different writing methods and the results are...interesting. 'Days of '49' is an attempt to repurpose an old traditional folk song, which is new for us." To realize Dead Revolution, Hammers of Misfortune altered the studio and studio personnel. Whereas previous efforts - going all the way back to 2001's The Bastard - were handled by engineer Justin Weis, this time around the group enlisted Nick Dumitriu (Vhöl, Ritual Chamber) to control the sound. The result is a warm, sharp sound that harkens back to productions like John Leckie's treatment of Pink Floyd's Meddle or David Hitchcock's master work in Camel's Mirage. "We recorded at Light Rail Studios in San Francisco," Cobbett reveals. "We recorded half the album before our son was born, and half after. We used no auto-tune, no digital reverb, no amp sims, no simulated keyboards, practically no plug-ins. It's pretty raw." If there's anything Cobbett is coy about, it's the lyrics to Dead Revolution. As with 17th Street - an album about "loss and endings" - so too Hammers of Misfortune's latest, lyrically it's very personal. "As usual, I'm reluctant to talk about it," says the six-stringer. "It has a lot to do with what's been going on around me where I live, which just so happens to be going on seemingly everywhere. I live in San Francisco's Mission District, and have for over two decades. A little research into what's been going on here would explain a lot to the curious." What Cobbett and the rest of Hammers of Misfortune are excited about - besides the long-awaited release of Dead Revolution - is getting out there and playing the new songs live. And maybe writing a new song or two. "Playing some gigs and eventually writing some more songs," settles Cobbett. "I'm hoping we get to play some festivals this time. That would be excellent!"
Hammers of Misfortune Jul 15, 2016
Thanks for the kind words! "Dead Revolution" will be released worldwide in one week. "The album's title track is another wonderful demonstration of songwriting that manages to be both economical and progressive. The whole piece is beautifully taut, with Joe Hutton's impassioned vocals soaring even as they remain tightly anchored to the knotty riffwork. The song's midsection solo break is a breathtaking piece of acrobatics, with a double-tracked guitar solo that morphs into a few measures of guitar and keys trading off licks before transitioning back to the song's opening riff. These are the sorts of compositional skills that are easy to underestimate, because when they're done as well as this, they become essentially invisible. But as Hutton belts through the song's immaculate closing couplet - "The better world you were trying to build is / Laughing in your face; / the better world you were trying to build is / On fire" - and the band digs deepest into the cowbell-dictated riffing, it's hard not to get chills." -
Hammers of Misfortune Jul 08, 2016
From - "They just play good old fashioned — but not self-referentially retro — prog metal that’s from the heart, with a touch of psych, expertly composed and beautifully presented."
Hammers of Misfortune Jul 06, 2016
Kind words from Invisible Oranges, who are streaming "Flying Alone" from "Dead Revolution", today - "If you’ve never listened to Hammers of Misfortune, then the time to rectify that is right this second. Stop listening to whatever it is you’re listening to, walk away from your workstation, go outside, pull up Spotify, pull up YouTube; I don’t care how you do it, but listen." Read More: Hammers of Misfortune – “Flying Alone” (Song Premiere) | "Dead Revolution" is out July 22 on Metal Blade Records. All order options are at