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A prolific producer and composer who sidesteps easy classification, Clark's moody body of work teeters between exuberance and foreboding undercurrents. His juxtapositions of gritty synths, breakbeats, noise, and nods to house and techno took on many forms over the course of his career. On 2001's Clarence Park, he imbued them with frosty nostalgia; on 2006's Body Riddle, he fortified them with orchestral and jazz flourishes. As the years passed, Clark found wide-ranging ways to express the abrasive and reflective sides of his music, whether he alternated between them, as on 2008's hard-hitting Turning Dragon and 2012's pastoral Iradelphic, or combined Read more on Last.fm.