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2010
Blues for Tony
2009
Propensity
2007
Nebula
2007
Rock Goes to College (Live)
2003
Then! (Remastered)
2001
Flat Tire (Music for a Non-Existing Movie) [Remastered]
2000
The Sixteen Men of Tain (Remastered)
1997
From Your Heart and Your Soul
1996
Heavy Machinery
1996
Heavy Machinery
1996
None Too Soon (Remastered)
1993
Hard Hat Area (Remastered)
1992
Wardenclyffe Tower (Remastered)
1989
Secrets (Remastered)
1987
Sand (Remastered)
1987
Sand
1986
Atavachron (Remastered)
1986
Master Strokes 1978-1985 (feat. Allan Holdsworth & Jeff Berlin)
1985
Metal Fatigue (Remastered)
1982
I.O.U. (Remastered)
1982
The Man Who Changed Guitar Forever
1982
Eidolon
1978
U.K.
1976
Velvet Darkness (Expanded Edition)
Allan Holdsworth Archives Apr 26, 2019
Posted this two years ago. Thanks to Stew for refreshing the memory. See also link in comments.
Allan Holdsworth Archives Apr 25, 2019
Here's what Bill Bruford is up to these days: A lecture on his PhD, which deals with creativity in drumming. Disclaimer: Not a word on Allan, and I don't think a note of him either. But definitely something for intellectually minded Allan fans. Listening to Bill talking this way, you'd think he'd been a music professor all his life.
Allan Holdsworth Archives Apr 21, 2019
In a recent video interview, Jakko Jakszyk talks about how it was following Allan as a guitarist in Level 42, and shares personal experiences from hanging out at his flat in the late 70s. (Disclaimer: Jakko's opinions are his own entirely.) The video is cued up to 32:02. See in the comments for quotes from Allan on the subject of working with Level 42.
Allan Holdsworth Archives Apr 20, 2019
The Archives has never seen this one covered before, thank you Matsubara!
Allan Holdsworth Archives Apr 17, 2019
Now available for preorder!
Allan Holdsworth Archives Apr 15, 2019
In loving memory of Allan Holdsworth, 6 August 1946 – 15 April 2017.
Allan Holdsworth Archives Apr 11, 2019
If you're a guitarist and you've seen Allan's chord charts, you probably wondered what they mean. John Vullo has taken up the challenge to explain this. This is not for the faint hearted, but if you would like to try to get inside Allan's mind, you never expected it to be easy, did you? :-)
Allan Holdsworth Archives Apr 07, 2019
GARY HUSBAND ON ALLAN HOLDSWORTH Gary Husband recently posted a clip from his 1998 video “Interplay and improvisation on the drums”, where he and Allan does a duo improvisation. Some of the comments moved Gary to post the following comment on improvising with Allan, and by extension on how their whole musical relationship worked. With Gary’s permission, the Archives edited his comment to stand by itself, and posts it here. Thank you Gary! --- ...It’s an intriguing thing, and subjective to individual taste also. But as I look at it now, this improv - as with all the others - it was just business as usual. With us. Like it or hate it. First of all, you have to take into account one rather fundamental thing. About Allan. As it is to me anyway. Allan, with all his colossal genius, wanted a drummer to take real initiative, with pretty total conviction, and ... he loved just playing with someone who possessed that. He needed that. Clearly. I could feel that the very first time we played together. Back in the 70s. Now, a John McLaughlin - and there only is one - very different story. Allan was a supreme improviser, never happier than when he was playing very much “over” what was going on. And with drums he liked a lot of perpetual, creative, powerful activity. He actually depended on that! And, y’know, if you listen to him throughout this whole improvised piece ... can you tell me? What is there that he’s actually leading on for me to supposedly “latch onto” in any determinable or conventional terms? In this - the case of this piece - as with every time we improvised - it was about feeling each other out - and Here was the deep connection - indulging in a common feeling, instinct and mutual trust in how long a free idea or section could develop for instance. And connecting on that. Take the whole beginning free form stuff for example, on this video. He needed initiative from someone to initiate, establish a new mood and start a tempo at some point, which I always did! And do right here! Same for when we go high energy freeform, leading up to the end ... where we have this random understated bleeps and blobs etc. But we knew how to feel each other out and ... some of my favourite outrageous moments were endings ... how they would instinctively work out. Very difficult to put into words, this stuff. But it was a particular way, and understanding between me and him. He wanted authority coming from somewhere else, and for that authority to catapult him into finding what he’d find, and at times when it would surprise him. As a result, throughout those decades together, I always, ALWAYS, pretty much “heard” transitions, acted upon them and (“being in another galaxy” or however you see it or perceive it!) ended up pretty much “directing” every improvisation we did ... in this kind of a freeform realm anyway. And I don’t really care if people think the method I took was inappropriate or whatever. That was what he entrusted me with, and he got what he wanted out of me. He wanted a strong character - not passive - to work off. He relied on that. That’s the extreme fundamental. Having established that method of working, we were passionately together, given that methodology at the heart of this work. If you see it, or not, as a result, this whole improvisation takes a form, and eventual resolution. And yes! I pretty much direct it! But, you have to see, he relied on that! That’s what gave it it’s form ... and in every one we did. And that’s a place Allan loved to be. Taken on a journey and finding what to do with what he was hearing - and the close interaction grew and existed from that methodology and trusted way of going about things together. In the early days, I’d experiment with leaving him different degrees of space, waiting for him, but he wasn’t comfortable with that Terry! He wanted it like we did it, and drummers who didn’t do that for him or provide that were ultimately a disappointing experience for him. So there you go. For whoever gets it - and many I guess won’t - that was the nature and basis of this intensely personal and unique thing I had with him. It involved understanding and knowing him, deeply, which I did. In summary, I would say we played together, just as we lived life together and experienced each other. Disparate in many ways, but ultimately, intrinsically joined. The laws of friction, and differences working to optimum effect! That, and of course, respect and love. My best, GH Saturday, April 7, 2019 --- https://www.facebook.com/GaryHusbandMusic/videos/302676980402144/ Gary's original post can be found in the comments here: https://www.facebook.com/groups/361803263942657/permalink/2036857679770532/
Allan Holdsworth Archives Apr 04, 2019
The Allan Holdsworth Archives wishes to raise a toast to Manning Bartlett, who has been volunteering as the unofficial main caretaker of Allan's legacy for the past two years. Manning has notably been the admin of "The Unreal Allan Holdsworth" group here on Facebook, as well as working behind the scenes with the Holdsworth family and with Manifesto records. Manning recently was a guest on Eric Miller's "Pods And Sods" podcast, where he picked three of his favorite Allan tracks, and talked about his connection to Allan's music. This coincides with Manning stepping down from admin duties on Facebook for the time being. But he's got other very interesting projects in the works, listen to find out! Cheers, Manning!
Allan Holdsworth Archives Mar 31, 2019
Here's your Sunday reading! A rare and very interesting interview from Italy in May 2000, where Allan reveals some of the secrets of "The Sixteen Men Of Tain". Available in machine translated English and original Italian.
Allan Holdsworth Archives Mar 29, 2019
Coming June 2019 on Manifesto - the Warsaw 1998 Jazz Festival, Official Release on CD/DVD. Featuring the original broadcast footage and remastered audio. More info as it becomes available.
Allan Holdsworth Archives Mar 29, 2019
's cover photo
Allan Holdsworth Archives Mar 28, 2019
We remind you that there's an ongoing auction for a Harness, handbuilt and signed by Allan. Bidding closes tomorrow Friday. More details in the original post below.
Allan Holdsworth Archives Mar 25, 2019
Bill DeLap is auctioning off an autographed Allan Holdsworth Harness. The auction is taking place in the UnReal Allan Holdsworth Group. A link to the auction is found in the comments below. Bidding closes at 5:00 PM, Friday March 29 (US-PDT California time). For other details, we refer to the auction link. The Allan Holdsworth Archives page is not involved in this auction in any way, and assumes no responsibility for it, but we have been assured that everything is 100% legit.
Allan Holdsworth Archives Mar 23, 2019
Today we can present a rare interview with Allan, published in November 1992. The thing that’s most unusual about this is that it was conducted by an American writer, in America, but published in Italian, in the Italian magazine Guitar Club! The interview has been back translated by a machine, with only a little human editing, so the prose is a little weird sometimes. (Italian text also found in link.) Allan talks about the Wardenclyffe Tower album, and some usual topics like guitars (baritones and doublenecks in particular) and the SynthAxe, but also about his plans to become a bank robber! Thanks to the people who contributed the great scans. The Allan Holdsworth Archives is dependent on user submissions to present you rare material like this. If you have something rare to share, please send a PM. If you would like to improve the translation, please submit your revisions in the comments or through the inbox.
Allan Holdsworth Archives Mar 21, 2019
Zarabeth on a Saxophone! (And a guitar!) https://www.youtube.com/watch?v=KEuOsuSoppI
Allan Holdsworth Archives Mar 14, 2019
EDIT: Original French text found in link! Tonight we have a real rarity: An interview with French magazine Jazz Hot from 1980, with some pictures that have not been seen by many since then. Here is a machine translated version. A quote: "For my part, I hate clichés, and I hate this mode of "funky" rhythms, that's all ... The guitarists are all set to this form of rhythmic playing, just as all bassists try to play as Pastorius. It's silly, and one wonders what they would have done if it had not existed. Everyone must find their own style. The types that copy Jaco Pastorius retain only the superficial aspect of his playing. And the sound does not mean anything without the personality."
Allan Holdsworth Archives Mar 13, 2019
EWI player Ben Vize has made a transcription of "Spokes". Now, we want to hear him play it!
Allan Holdsworth Archives Mar 09, 2019
Memories from Andrea Marcelli :-)
Allan Holdsworth Archives Mar 05, 2019
In remembrance of Paul Williams, here is an article on Tempest from Melody Maker in 1973, mainly an interview with Jon Hiseman. It was Hiseman who first brought Allan and Paul together. Now, the only original Tempest member who is still around is bass player Mark Clarke. Check out the comments for a 2006 interview with him.
Allan Holdsworth Archives Mar 01, 2019
Terribly sad news: We have just been informed that IOU singer Paul Williams has passed away at 78. Williams was active up until last year, releasing a solo album (link in comments). Rest In Peace, Paul.
Allan Holdsworth Archives Feb 28, 2019
This wonderful BBC session from 1974 has been uploaded to YouTube. It contains the earliest known recording of "Kinder", as well as two Holdsworth tunes that never were recorded on any album, plus the Pat Smythe tune "New Dawn", which Allan later covered on "Tales From The Vault". The violin intro by Allan on the first tune is downright scary! Click for full playlist.
Allan Holdsworth Archives Feb 21, 2019
Gary writes: "Another flashback. Here are two snaps I had the instinct to shoot back in 2000 of Allan Holdsworth and John McLaughlin in the dressing room of the venue Cedac De Cimiez in Nice ... right after our concert with Allan and the band there. Two giants and movers of the guitar, of course. Two of the most major relationships in my musical life also. Two Yorkshiremen ... and a third one taking the pictures! Around four years after this I was to also start working with John. Beautiful memory. They spoke at length with each other that night, and I love the fact Allan was so stoked John sir was there to hear the show. "
Allan Holdsworth Archives Feb 16, 2019
Cari amici italiani! Puoi aiutarmi a trascrivere le parole in queste immagini? Sto lavorando a un articolo del 1997 e il materiale di partenza è molto povero. Le parole mancanti o incerte sono contrassegnate in [parentesi]. Basta scrivere i tuoi suggerimenti e le correzioni nei commenti per ogni immagine. Grazie mille!
Allan Holdsworth Archives Feb 12, 2019
Vinnie Colaiuta talks to Rick Beato about the Secrets album. The video should be cued up, but if it's not, it starts at 11:52. The rest of the video is worth watching too - thanks Rick and Vinnie!