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Beauty Pill Describes Things As They Are
The Cigarette Girl from the Future
The Unsustainable Lifestyle
Beauty Pill Oct 17, 2017
Unfortunately I am posting this from the hospital where I have been admitted for a toxic reaction to a prescribed antibiotic. I hoped I would recover in time for this tour, but... the answer is sadly no. It got worse. We considered canceling the shows, but this is principally an Arto Lindsay tour. We instead opted to try an idea we've never considered before. The band is going to do these shows WITHOUT me. It's no secret that I write BP's songs and I am the lead singer for most of songs. So, yes, it's a strange circumstance. For these shows, my bandmate Jean (singer of "Ann The Word" and "Dog With Rabbit In Mouth, Unharmed") will sing all the songs, even those that were shaped around my voice. This was my idea and the band agreed to it. Jean went home and learned all the words over night. I'm really proud of her. For dedicated BP fans, it will be an unusual experience I encourage you to check out. My bandmates have been utterly kind and adaptable. It's a dismaying scenario. Their attitude is amazing. They believe in the songs. Beauty Pill is by nature an experimental band. We like to try stuff. We made "Describes Things" in a museum where we were the exhibit. This will be one more experiment, I guess. Here in the hospital I am getting good care. Don't worry about me. Love to you all. And love to the quartet Jean Cook, Basla Andolsun, Drew Doucette and Devin Ocampo who this week are BEAUTY PILL. Chad Clark 10/16/17 #beautypill #artolindsay #tour #hospitalized
Beauty Pill Oct 10, 2017
We are living through the dumbest time in American history.
Beauty Pill Oct 09, 2017
NYC! ARTO LINDSAY + BEAUTY PILL! Tuesday 10/17! Join us!
Beauty Pill Sep 14, 2017
A Twitter thread about the great and very kind Grant Hart. True story. RIP
Beauty Pill Sep 11, 2017
Getting a lot of email about this. It's true that Beauty Pill's DC museum recording project preceded PJ Harvey's similar London museum recording project. I do not know if we influenced her, but I tend to doubt it. I'd like to think it's more likely a "great minds think alike" scenario. I'm a fan of PJ Harvey. I'm not gonna dis her. I do not take Dave Grohl's recent accreditation of the idea to PJ Harvey as a dis to me. I think far more likely, he simply does not know anything about Beauty Pill. We're an underground, arty DC band. I can't imagine Dave Grohl is aware of us. Why would he be? Does it sting to do something and then have a more famous person subsequently given credit for it? Yes, a little bit. But just at the level of bruised ego. I'll live, you know? I don't think malice or insult was intended. Not on Grohl's part. Not on Harvey's part. There is a page on the Beauty Pill site where you can learn more about Immersive Ideal, the original BP art exhibit that produced the "Describes Things As They Are" album. You can also read my 2016 essay about PJ Harvey. Just click on the bold type. Thanks. - c
Beauty Pill Aug 28, 2017
This is something you will not want to miss. Trust me. Join us. Tix on sale now. - c
Beauty Pill Aug 27, 2017
Beauty Pill's unreleased cover of David Bowie's "Jump They Say," streaming for a limited time. Read the Twitter thread. cheers, c
Beauty Pill Aug 27, 2017
Sadly, this is how my brain works: I immediately want to write a song from the hawk's point of view. - c
Beauty Pill Aug 21, 2017
This trailer gives a glimpse of my score for Woolly Mammoth Theatre's "The Arsonists." The play runs throughout September. So excited to collaborate with Michael Garcés and Jimmy Garver and Woolly, who I've admired as long as I can remember. Join us. - c
Beauty Pill Aug 16, 2017
You can spare 20 minutes. Watch. Do not not watch. - c
Beauty Pill Aug 09, 2017
The world vanished in a gentle breeze
Beauty Pill Aug 02, 2017
"You still think, I gather, that the nigger is necessary. But it's unnecessary to me. So I give you your problem back. You're the nigger, baby. It isn't me." It's James Baldwin's birthday.
Beauty Pill Jul 24, 2017
Half the time the melody comes first. Half the time the words come first. Sometimes you're fortunate to have instruments around. Sometimes you aren't. There is no Way. Sometimes the words carry the thoughts and you feel the melody rush up to invent itself. And it's like watching a toddler stumble into a dangerous chasm, but with a staircase miraculously appearing under each step, ensuring safety. Because nobody else can hear it, all the while you're expected to carry on conversations with people around you and act like a present, accountable adult. The only thing visible to the outside world is you awkwardly spacing out. You don't notice things happening right in front of you, or if you do notice them, you can't remember anything a few seconds later. This behavior is easily misread as disrespect and can alienate people close to you, no matter how much patience they wish to have. This sucks, but you've been doing it all your life. And it seems unlikely you'll stop now. - c
Beauty Pill Jul 22, 2017
There are two famous, haunting pieces of music from the "Midnight Cowboy" soundtrack. Both have beautiful melodies, but are otherwise not alike stylistically. Have you ever noticed that they blend in your mind, though? You think of them together more than you think of them apart? Me too. I wrote about that curious mystery for the latest entry in my "One Song" essay series. I recommend clicking the YouTube links and listening to the songs as you read. Enjoy. cheers, c
Beauty Pill Jul 18, 2017
NPR asked to talk about Tegan and Sara. I said yes. cheers, c
Beauty Pill Jul 11, 2017
For research, I re-watched "Midnight Cowboy" yesterday. It's a heartbreaking and beautiful movie and I don't really have anything to add about it that hasn't already been said better by other people. Dustin Hoffman and Jon Voight are perfect in this film in every way. And they deserved their Oscar nominations. I was struck, however, by the mechanics of the iconic scene where Hoffman yells "HEY! I'M WALKIN HERE!" Hoffman and Voight play two different types of "low lifes." Voight is a hustler, Hoffman is a grifter. Hoffman is delivering a con man soliloquy to Voight as they walk down the street. A cab nearly runs into them as they cross the street. I learned via research that IT'S A REAL CAB on a real street. NOT part of the movie. Dustin responds IN CHARACTER to the threat. And then he adlibs some dialogue to keep Voight in the moment. RAZOR SHARP instincts. Natural genius.
Beauty Pill Jul 05, 2017
[This is long and indulgently diaristic. It's of little interest to most people. I posted it to my personal facebook and then realized it made more sense here.] I started writing "Drapetomania!" shortly after Obama was elected in 2008. The song was then called "Morning, Sam." It was a fantasy about me warring with my racist, conservative neighbor. Who was, yes, named Sam. In 2008, mainstream media invented the (wildly delusional) word "post-racial." I was wrestling with a lot of feelings, including hope, but mostly anger. "Morning, Sam" stole lines from several little rants I wrote over the years, trying to process my feelings about being a minority warring (in my mind) with a dominant culture. The song invokes a series of non-sequitur images/narratives. I was able to account for them all, but it would take me an hour to explain each one. The song is like 3 minutes. Blade Runner/my own illness a bull leaping over a matador and into the stands in Spain the Cheyenne-Arapaho war(s) Sam and Ralph, the Warner Bros cartoon dog and wolf that clock in before trying to destroy each other my racist POS neighbor Natalya Estimirova (look her up, don't forget her) the Tupamaros When I was done, the song was packed with so many unexplained allusions, it was a big, stupid mess. The words had meaning for ME, but would feel oblique/impenetrable to anyone else. That's pretentious. That is not the kind of thing I want to do. I'm interested primarily in being understood. I pursue clarity most of the time. I abandoned the song for years. Which was painful because I had put a lot of thought into it. One day in the museum [we recorded the album in an art museum, which is a whole other story], we pulled up the demo file. By that time, I had renamed the song "Drapetomania!" I liked the addition of the exclamation point because it made it look like a Bob Fosse Broadway show or something. Which was funny to me. Many of my ideas are funny to me only. Probably most. Devin argued we should just do the song exactly like the demo and be done with it. But I was too tortured at that point to accept that. So the band began to tear the song apart and put it back together. Everyone learned the component musical phrases and twisted them into different shapes. I wanted the song to feel darkly cartoony... goofy and menacing simultaneously. We busted out a little toy synthesizer (I don't remember the name) and Jean and Abram played it. There's a little film of that here, courtesy of Brian Libby. I was ecstatic about all the colors and energy the band was injecting into the song. I felt less alone. When you write songs on your own, you go a little insane sometimes. Devin definitely did not share my enthusiasm and lost his patience. It was chaotic and terrible, he felt. He left the session to have dinner with his wife. By the time Devin came back, we had tried a bunch of the ideas. They were cool ideas, but didn't really work together. So we had ended up with a form that mostly... resembled... the... fucking... demo... Drew invented a guitar line by tracing the melody notes of my weird samples. It sounds like we lifted it from a Memphis soul record... to me, at least. This is now the main guitar hook of the verse. But ironically the most conspicuous musical invention from that day came from Devin. He was pissed off and irritated when he was playing, so I don't know if he was doing it out of boredom or spite, but he inverted the rhythm half way through the phrase. It totally changes the feel of the song and feels almost like a tape rewinding. This made it feel more like 90s hip hop to me. I LOVE 90s hip hop. I was into it. If you listen carefully, you can hear Devin mocking my excitement at the beginning of the song. "This one's going to #1. Hip hop #1..." - c
Beauty Pill Jun 15, 2017
I rebuke any and all "curb your criticism" nonsense in the wake of the shooting. It's a vapid and baseless response. Trump IS dangerous. He IS unfit. He IS a compulsive liar and narcissist. We ARE all in peril as long as he leads. I DO think he poses an existential threat to America and the world. Those are beliefs I consider unassailable and I will not curtail or hush just 'cause some demented Bernie bro lost his shit. Sorry. Not having it. - c
Beauty Pill Jun 14, 2017
By request, this is a time-limited streaming of BP's cover of Paul Simon's "Some Folks Lives Roll Easy." This is from the still-unreleased score to the 2010 play "" The soundtrack album is called "Sorry You're Here." We'll find a label for it and release it someday. I think it will be relevant whatever year we release it.
Beauty Pill Jun 12, 2017
Beauty Pill Jun 10, 2017
Beauty Pill
Beauty Pill May 31, 2017
My (totally untrained) orchestral arrangement style is 80% Etta James, 20% Shostakovich. Now you know. - c
Beauty Pill May 24, 2017
Hello. I wanna let you know that Beauty Pill's "Cherry Blossom Symphonette" has been removed from our Bandcamp page. The reasons are entirely artistic and internal. Nobody asked us to take it down. There is no controversy or "story." If you purchased "Cherry Blossom Symphonette" during the time it was available on the page, and you're pissed that it's suddenly disappeared, please write us at If you downloaded it, you now own a rare thing. If you missed the opportunity to buy it, don't fret. It will return within another (and, I think, richer) song form on the next Beauty Pill album. Love to all of yous, c
Beauty Pill May 03, 2017
ICYMI, I wrote about Siouxsie And The Banshees for my One Song essay series. cheers, c
Beauty Pill Apr 26, 2017
Thanks to NPR for inviting me to write this.